![]() ![]() And also, Kathy Kennedy and Tony were so supportive of that. I think because it was presented to me from the very beginning as like, ‘Let's really reimagine this,’ I think that gave me the confidence. Nicholas Britell: You know, it was interesting. Was it hard to go for this more somber tone and avoid the more romantic style that we associate with Star Wars? : Obviously with Star Wars, John Williams' music is so well known. And I think, hopefully, especially certain themes as we go, I wanted to feel like we were still in this world, you know what I mean? Even if it is a very distinct sound. The Star Wars universe has such an amazing, timeless sense and feeling. But at the same time, my hope was, of course, that throughout there's still a sense of the spirit of the Star Wars universe. I wanted it to have that sense of self, of its own feeling. Now, of course, you know, I'm a huge Star Wars fan and as well, and I think for me it was important really to do maybe two things. Tony felt very strongly that he really wanted it to have its own musical language, hopefully. They really felt it was important to have, given the tone and, especially given how the show starts, there's a gritty, darker vibe to things. So I think the idea, from very early on, even before I joined, was that they were going to actually give me a lot of freedom to create a unique musical landscape. Michael Clayton is one of my wife’s and my favorite movies. I was always such a huge fan of Tony 's, for years as a writer and also as a director. As the composer, how much does that impact your work? : The series is a really grounded take on Star Wars. ![]()
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